
Left two images – Madama Butterfly by Virginia Opera. Photos by Dave Pearson Photography. Right two images – Madama Butterfly courtesy of Portland Opera. Photos by Cory Weaver.
Overview

MADAMA BUTTERFLY
Composer - Giacomo Puccini Libretto by Luigi Illica and Giuseppe Giacosa Premiered 1904 in Milan DATES April 26 – May 4, 2025
VENUE Queen Elizabeth Theatre Vancouver, BC
RUNNING TIME Approximately 2 hours and 30 minutes, including one 25-minute intermission.
Stunning visuals, transcendent melodies, and a timeless tale of love and loss make Madama a must-see season finale. Puccini’s sublime masterpiece closes out our celebratory 2024–2025 season in grand style, with five performances conducted by VO’s Music Director, Maestro Jacques Lacombe. This extended run boasts a double cast bursting with world-class talents, including Tokyo-born soprano Yasko Sato. Praised for her “disarming, honest, refined and authentic” approach, she makes her VO/Canadian debut as Cio-Cio-San, having previously explored the role’s complexities in performances throughout Italy, the US, Belgium, Slovenia, Greece, Spain, and Japan.
The story of Pinkerton, an American Lieutenant stationed in Nagasaki, who marries a young Japanese girl, Cio-Cio-San. For him, it’s a marriage of convenience, a touristic fantasy abroad before he finds himself a “real” (American) bride. For Cio-Cio-San, it begins her story of tragically unrequited love.
One of the greatest works in operatic history, Puccini’s poignant, deeply emotional music steers Madama Butterfly through love, heartbreak, hope, and tragedy.
Conductor & Director
Cast In order of vocal appearance
Creative Team
Assistant Director Tayte Mitchell* Lighting Design Marie Yokoyama Assistant Lighting Designer Jamie Sweeney Japanese Culture Consultant and Movement Coach Asuka Morinaga Derfler Intimacy Director Lisa Goebel Set Designer Lloyd Evans Costume Designer Ruoxuan Li Head of Music / Associate Conductor / Chorus Director Leslie Dala
Associate Chorus Director / Principal Répétiteur Tina Chang Répétiteurs Perri Lo Derek Stanyer Stage Manager Theresa Tsang Assistant Stage Managers Emma Hammond Michelle Harrison Apprentice Stage Manager Elsa Orme SurTitle™ Creator and Operator Sarah Pelzer
Synopsis
ACT I
Nagasaki, Japan, 1946—within a year of the atomic bomb, amidst the haunting aftermath of World War II. U.S. Navy Lieutenant B. F. Pinkerton inspects a house perched above Nagasaki harbour, secured through the services of the opportunistic marriage broker, Goro. Pinkerton, captivated by the delicate allure of Cio-Cio-San, dismisses any qualms about the gravity of their union, driven by the unchecked pursuit of pleasure emblematic of American hubris. Meanwhile, Cio-Cio-San, having recently survived the atomic devastation, eagerly anticipates her wedding as the gateway to her American Dream. Despite the thunderous disapproval of her uncle—resulting in her abandonment by her entire family—she steps into the marriage with unshaken hope. In a fleeting moment of intimacy, amidst the swirling uncertainty of their intertwined destinies, Pinkerton and Cio-Cio-San forge a connection that momentarily transcends the tumultuous landscape of postwar Japan.
Act II
Six years later, winter 1953, on the eve of the withdrawal of the Allied Occupation. Cio-Cio-San and her faithful maid, Suzuki, anxiously await Pinkerton’s return amidst the dwindling resources of their once-promising existence. Sharpless, burdened with a letter from Pinkerton fraught with hesitation, delivers a stark dose of reality to the resolute Cio-Cio-San. Rejecting the advances of wealthy suitors, including Prince Yamadori, she defiantly presents her son, Sorrow, as a living testament to her unwavering faith in Pinkerton’s return and her relentless pursuit of the American Dream. Just as despair begins to set in, a cannon pierces the air—Pinkerton’s ship has arrived. Gripped by a delirium of joy, she seizes binoculars and confirms the sight. With fervent determination, she commands Suzuki to adorn the house with flowers in preparation for the long-awaited reunion. As night descends, Cio-Cio-San, Suzuki, and the child begin their vigil—a silent testament to their unyielding hope amidst the shadows of uncertainty.
Act III
The following day. As dawn breaks, exposing the wreckage of broken dreams, Pinkerton returns with his American wife, Kate, casting a pall over the once-hopeful household. Suzuki’s anguish is palpable as she delivers the crushing truth to Cio-Cio-San, whose heart is shattered by betrayal—realizing she could never be “American” enough for him. Left alone, she stands resolute, recognizing the falsehood of her promised dream. With quiet strength, she bids farewell to her son, shielding him from her tragic fate. In her final moments, as echoes of Pinkerton’s voice linger, she finds a measure of peace, knowing her protest will not be in vain. With dignity and pride, she embraces death in true Japanese honor—symbolically freeing herself from the illusion of the American Dream. —adapted from Opera News