Jonathan Dove. Flight. Feb 8-16. Queen Elizabeth Theatre. Photograph of Flight's ensemble cast on stage.

Flight

Opera in 3 Acts

Composed by Jonathan Dove Libretto by April De Angelis This performance will last approximately 2 hours and 40 minutes, including one 25-minute intermission after Act 2. Sung in English with English SURTITLES™ With the Vancouver Opera Orchestra. Company Premiere. Presented under license by Peters Edition Limited, copyright owners. The production and designs for Flight were originally created by Pacific Opera Victoria for production in February 2020.

CAST IN ORDER OF VOCAL APPEARANCE Refugee Cameron Shahbazi Controller Caitlin Wood Bill Asitha Tennekoon Tina Andriana Chuchman Older Woman Megan Latham Stewardess Alex Hetherington Steward Clarence Frazer Minskman Neil Craighead

Minskwoman Stephanie Tritchew Immigration Officer Henry Chen Bill Understudy Lyndon Ladeur Tina Understudy Heidi Duncan Steward Understudy Danlie Rae Acebuque Minskwoman Understudy Simran Claire SUPERNUMERARIES Gabriel Eum Nicole Laurent Stephen Myers Sarah Shepherd

CREATIVE TEAM Conductor Leslie Dala  Director Morris Panych Set Designer Ken MacDonald Costume Designer Dana Osborne Lighting Designer Alan Brodie Projection Designer Keith Houghton Assistant Conductor Kelly Lin Appears courtesy of Tapestry Opera’s Women in Musical Leadership Program Assistant Director & Intimacy Captain Tayte Mitchell Assistant Lighting Designer Hina Nishioka Sound + Video Consultant Craig Alfredson

Intimacy Director Lisa Goebel Fight Director Nicholas Harrison Principal Répétiteur Tina Chang Répétiteur Perri Lo Derek Stanyer Stage Manager Theresa Tsang Assistant Stage Manager Marijka Asbeek Brusse Michelle Harrison Apprentice Stage Manager Rachel E. Ross SURTITLES™ Creation Teresa Turgeon SURTITLES™ Editor + Operator Sarah Pelzer

If summer has its “dog days”, is it fair to suggest we’re currently in the “cat days” of winter? Maybe we’re feeling a bit aloof, maybe we hiss more readily than we should, or maybe we just want to crawl into the nearest cardboard box until spring comes. When we started planning this celebratory 65th anniversary season, it was essential that we bring a particularly uplifting show to the QET stage for these dark, drizzle-drenched days of winter, and in Jonathan Dove’s Flight, we found a sunbeam to rest in. Inspired by the moving true story of Mehran Karimi Nasseri, a refugee stuck in bureaucratic limbo, this contemporary masterpiece consistently surprises with its deft pairing of humour and poignancy. Dove was dubbed “the Mozart of the 20th century”, and he took inspiration from how The Marriage of Figaro built comic momentum through ensemble pieces for varied voices. With librettist April De Angelis, Dove introduces quite a dynamic crew of quirky and compelling characters, so we’re excited to have an extraordinary cast to bring their personalities and predicaments to life, including Persian-Canadian countertenor Cameron Shahbazi making his Vancouver Opera premiere as The Refugee. We’re overjoyed to have Canadian theatre legends returning to VO to lead our creative team. Director Morris Panych returns to steer Flight’s giddy action through Ken MacDonald’s striking, stylized set design inspired by New York’s iconic—and very 1960s futurist—TWA Flight Center. VO Associate Conductor and Chorus Director Leslie Dala is the perfect maestro to bring the precision and adventurousness of Dove’s score to life. As we gather to enjoy the company premiere of Flight and the continuation of our 65th anniversary celebrations, we’re also excited to announce our 2025-2026 season, where we’ll dare to feel everything through some of the most affecting operas of all time, from the revenge and regret of Verdi’s Rigoletto, the deception and delight of Mozart’s Così fan tutti, and Giacomo Puccini’s timeless tale of love and loss, La Bohème. It’s an honour to share the light and heart of this production with you. Tom Wright, General Director Krista Johanson, Board Chair

Notes from the Conductor and Director

“Jonathan Dove’s music has filled opera houses with delighted audiences of all ages on five continents. He is one of the most performed living opera composers and few, if any, contemporary composers have so successfully or consistently explored the potential of opera to communicate, to create wonder and to enrich people’s lives.” Taken from Jonathan Dove’s biography on his website, this is a bold statement but one that is supported by the extraordinary number of operas he has composed (over 30) and the number of Flight productions that exist (to date there are 41 productions that have received over 150 performances since its premiere in 1998). So what makes Flight such a great piece? First of all, it has a brilliant libretto by April de Angelis which has both comedic and dramatic elements at every turn. Set in the terminal lounge of an airport it features an unlikely group of characters who are forced to spend a night together due to a storm that grounds all the flights. Second, the music is exciting, vivid, colourful, accessible with vocal lines that are perfectly set supported by dazzling orchestrations. (More on that later)... Let’s meet the characters: There is the enigmatic Controller, a coloratura soprano (think Mozart’s Queen of the Night) who reigns over everyone in her control tower and unleashes ferocious virtuosity in her “storm” aria in Act 2. The Refugee is a countertenor (high male voice that sings in falsetto) who is trapped in the airport and who tries to make friends and get help from the travellers he meets. The haunting, fragile and exotic color of the countertenor voice perfectly suits this mysterious character. His Act 3 aria is achingly beautiful and heartbreaking and is based on an exotic sounding scale that Jonathan Dove created specifically for this character. The Steward (baritone) and Stewardess (mezzo-soprano) are two young flight attendants who have to serve people all the time and are bored to death by their jobs but they have a very frisky side to them which they act on whenever they get a chance. The music that they sing while they are working is quite mundane with lots of repetition and little variety but it becomes unleashed when they take a walk on the wild side with bongos and congas! The Immigration Officer does not sing until the final part of the opera but we hear his ominous theme (an alternating two note minor third rhythmic figure that is in the unusual metre of 11/8) first heard in the low brass and the timpani in his appearance in Act 1. There are two married couples: Tina and Bill: a young couple who have gone a bit stale on each other and are looking to recapture that lost spark by going on holiday. Their music is playful, fun, jazzy and optimistic. Throughout the course of the opera, things take a bit of a turn and Bill, the more timid of the two, goes on an unexpected adventure of his own... The Minskman and Minskwoman, so named because he is in the diplomatic service and has been appointed to a new position which he is very excited about and she is dreading. To add to her anxiety, she is quite pregnant and seriously questioning her life choices. Their introduction is set to music that is very fast, irregular, and perfectly conveys the state of agitation which they are experiencing. By contrast, the Minskwoman’s Act 2 aria “I bought this suitcase in New York” is a beautiful slow lyric mediation which evens features the other sleeping characters in the background. Last, but not least, the “Older Woman” (mezzo-soprano, the lowest sounding of the three mezzos in this opera) a solo traveller who is waiting for her “fiancé”, a much younger man who is a bartender she met on one of her previous holidays. Her music is bluesy and subtle as she does not want to get noticed by anyone but that doesn’t last long... The Orchestra: Jonathan Dove is a brilliant orchestrator and the music is exciting, vivid, colourful with a wide range of motifs and dynamics. A particular feature is the large percussion ensemble consisting of vibraphone, glockenspiel, xylophone, tubular bells, (and a wide assortment of cymbals and things jingle and go boom!) The music alternates between driving, pulsating music to keep everyone on the edge of their seats and music that is slow, undulating and reflective that perfectly captures the spirit of the texts being sung. One of the highlights for me personally are the places where the singers are featured in choral type settings which happen throughout the piece. Dove, in addition to being a wonderful opera composer, has also written a lot of great music for choirs and he understands the voice perfectly. Thank you so much for joining us for this performance and we hope you enjoy the flight! Fasten your seatbelts, it’s going to be a wild ride!! Leslie Dala Conductor

Our artistic initiative towards Flight the opera led us to think in a heightened way, as you can imagine. We see the show as an allegory; a fable about freedom and entrapment. Initially we thought to enclose the space to emphasize the inner mind of the lead character Refugee, who is trapped inside an airport, without identity, without friends, without status. But, in our view, that is not the state of mind of Refugee. He dreams of open space, freedom, which is what an airport can represent, at its best. We wanted him to be surrounded by the illusion of freedom and hope, which was nevertheless unattainable: windows, skies, air he can never breathe. In many ways, all the characters, symbolized and unified by their desire for departure, are enclosed in their own worlds, unable to break from them. We were inspired by the architecture of Eero Saarinen, whose TWA terminal at JFK is one of the most iconic and alluring spaces ever designed. It embodies the bold notion of free movement, through design – in it, there seem to be no boundaries. In the Refugee’s world, boundaries are what define him. But he isn’t the only one. All the characters seem to occupy confined space and share the desire to escape. Ironically, the Refugee wants to escape by belonging, by being allowed entry into a world he can only view from the terminal where he exists as a perpetual outsider. The opera has key resonances for our time. In many ways, it reflects the new, dangerously unfolding mindset of exclusion. We hope to inspire another idea through this production and its visual: that borders are an illusion. We wanted to set the production in a mythical other world, not just architecturally but with costumes as well. We want the audience to embrace the broader story-telling of fable by creating a time period which exists only in the imagination: a sort of combination of now and always, as if to say the world will always struggle with the idea of inclusion. Morris Panych, courtesy of Pacific Opera Victoria

Synopsis

The Story in Three Sentences

Without official documents, the Refugee has been stuck in an airport for several weeks. In his search for help, he meets a colourful cast of characters who are all in their own way at dramatic in-between points in life. A storm grounds all flights, and as the stalled travellers camp out in the terminal overnight, their stories hilariously intertwine, while the wishes they make on the Refugee’s (allegedly) magic rock bring out their complex and comic humanity.

Full Synopsis

The Flight Controller and a Refugee await the daily influx of travellers. The Controller has no use for people, but the Refugee lives in hope that someone might help him. He has no documentation and has been stuck in the airport for several weeks. Passengers begin to arrive. Bill and Tina, a young couple, are off on holiday, armed with a book on relationships to help them put some zest back into their marriage. A diplomat and his heavily pregnant wife are heading for a new posting in cold, boring Minsk. An Older Woman, twice-married, twice-divorced, has no plans to fly anywhere; she has come to the airport to wait for her fiancé, a 22-year-old barman she met on holiday in Majorca. The Steward and Stewardess are carrying on a steamy affair and grab every possible opportunity to get together in various corners of the terminal. At the last minute, the pregnant Minskwoman refuses to fly, and her husband departs without her. While everyone watches in awe as the plane takes off, the Minskwoman agonizes over her decision. The Refugee shows the others a special stone, telling them it has magical qualities if they believe in it; they scoff. When the Immigration Officer appears, the Refugee begs them all to help him, to hide him. Despite their sympathy for his predicament, the travellers refuse to get involved. They have journeys to begin. Then the Controller announces that storms are coming and all flights are delayed indefinitely.

The travellers have camped out in the airport. The storm is getting worse. As they bicker about their love life, Tina accuses Bill of being predictable. The Older Woman chats with the Minskwoman and reminisces about walking along the beach with her fiancé – but wonders whether he will really show up for their rendezvous. The Controller goes outside and faces the storm; they shriek and roar together. As the others settle down to sleep, the Minskwoman searches through her bag, recalling how it used to hold frivolous, delicious, expensive things; now it is packed with baby things, and she dreads the tired, trapped woman she feels she will become. The Older Woman secretly approaches the Refugee and asks if his stone can create the miracle she needs in her life. He gives her the stone, says to make a wish, and tells her that in return she must help him when he asks. She wishes for her fiancé to come to her. Tina and Bill then accost the Refugee, who also gives them a stone. They make the same bargain; their wish is that Bill could be more adventurous. Then it is the turn of the Minskwoman to wish for freedom and a return to the life she once enjoyed; and of the Steward and Stewardess to wish to fly back up to the sky. The Controller observes, but refuses to join in the game. The Refugee makes his own wish – for his brother to arrive. Bill, determined not to be predictable, blurts out a proposition to the sleeping Stewardess, but is shocked to find he has actually made a pass at the Steward, who is not at all shocked, but takes Bill for a walk up to the control tower. The women begin drinking. They toast the Refugee, who is thrilled to have new friends. But when they figure out that he has given each of them a magic stone, they turn on him, furious at being duped. They throw their stones at him, knocking him unconscious. Then, panicking, they stuff his limp body into a trunk as the Controller laughs and Bill and the Steward exult in the control tower.

The weather has cleared. A plane lands. The Minskman disembarks and reunites lovingly with his wife. Tina sees that the Steward is wearing Bill’s trousers and demands an explanation. The men hem and haw, until Tina strikes Bill with the relationship manual and he falls unconscious. A moan comes from the trunk – and then from the Minskwoman as she goes into labour. She gives birth just as both Bill and the Refugee come to. Everyone crowds in wonder around the baby. Tina and Bill reconcile; so do the Steward and Stewardess. The Minskwoman begins to make joyful plans for the baby and all the things they’ll need in Minsk. When the Immigration Officer arrives and confronts the Refugee, the travellers try every trick they can think of to persuade the Officer to be lenient, but he is adamant. Then the Refugee tells the story of his own flight, and of his brother, for whom he is still waiting. The Officer tells the Refugee he cannot let him leave, but he will turn a blind eye to his presence in the airport.  The travellers depart; even the older woman is prepared to go on another holiday. The Refugee and the Controller are left alone together. The airport is his home now.

Full synopsis by Maureen Woodall, Pacific Opera Victoria

Cast | In Order of Vocal Appearance

Cameron Shahbazi
Refugee

Persian-Canadian Cameron Shahbazi is celebrated for his interpretations of baroque and contemporary music. He is recipient of a prestigious Opus Klassik Award, named one to watch by VOGUE Polska, and the only countertenor in Deutche Grammonphon’s esteemed Rising Stars series. He has performed at the Royal Opera House, Bayerische Staatsoper, Dutch National Opera, Glyndebourne Opera Festival, Aix-en-Provence Festival, Opéra Comique, Het Concertgebouw, and will debut at the Salzburg Festspiele in 2025.

Caitlin Wood
Controller

Alberta-born soprano Caitlin Wood is delighted to return to Vancouver Opera, where she starred as Susanna (Marriage of Figaro) and Josephine (HMS Pinafore). This season, Caitlin debuts in the title role The Coronation of Poppea with Washington D.C.’s INSeries Opera. Concert performances include Messiah with Vancouver Bach Choir and Bach’s Wedding Cantata with Regina Symphony Orchestra.

Asitha Tennekoon
Bill

Sri Lankan tenor Asitha Tennekoon has established himself as one of Canada’s most versatile singing artists, with performances spanning from Baroque to experimental repertoire. Recent operatic roles include Peter Quint (Turn of the Screw), Tamino (Magic Flute), Ferrando (Cosi fan tutte) as well as Flute in A Midsummer Night's Dream. He debuts in Britten's War Requiem, Vancouver Bach Choir.

Andriana Chuchman
Tina

This season, Ukrainian-Canadian soprano Andriana Chuchman returns to Manitoba Opera as Adina in L’elisir d’amore and debuts at San Diego Opera as Violetta in La Traviata and Vancouver Opera as Tina in Flight. She has appeared with many prestigious opera companies including the Metropolitan Opera, San Francisco Opera, Lyric Opera of Chicago, Hamburg State Opera, Houston Grand Opera, Salzburg Whitsun Festival, and Canadian Opera Company.

Megan Latham
Older Woman

Megan Latham is celebrated for “incredibly resonant and powerful” performances, with a “perfect mix of mezzo & humour”. Recent seasons have included Mozart’s Le nozze di Figaro (Pacific Opera Victoria), Puccini’s Gianni Schicchi (Opera Kelowna), and Gounod’s Faust (Canadian Opera Company). She is thrilled to return to VO after performances in Der fliegende Holländer and H.M.S. Pinafore.

Alex Hetherington
Stewardess

Mezzo-soprano Alex Hetherington recently completed her tenure with the Canadian Opera Company’s Ensemble Studio. In 2024/25, she portrays Siebel in Faust at the Canadian Opera Company and makes her Vancouver Opera debut as the Stewardess in Flight. She also performs as a soloist in Beethoven’s Symphony No. 9 (Ottawa Chamberfest, Mandle Philharmonic) and Handel's Messiah (Chorus Niagara).

Clarence Frazer
Steward

A “singer actor at the top of his game” (Opera Going Toronto). This season Clarence Frazer debuts with Manitoba Opera (La bohème) and returns to Vancouver after his acclaimed performance as Papageno in The Magic Flute. He also joined Flipside Opera for Wolf’s Italiensiches Liederbuch in recital alongside Tracy Dahl. Upcoming, he creates the role of Eadric in the world premiere of Uyeda’s Silence.

Neil Craighead
Minskman

Neil Craighead is thrilled to return to Vancouver Opera this season after joining them for The Magic Flute and A Midsummer Night’s Dream. Recent performances include appearances with Pacific Opera Victoria (Ainadamar, Carmen), Edmonton Opera (Das Rheingold, Die Walküre, Così fan tutte), and Calgary Opera (Don Giovanni). On the concert stage, he joins the Regina Symphony and the Kamloops Symphony.

Stephanie Tritchew
Minskwoman

Canadian mezzo-soprano Stephanie Tritchew is a rising singer, at home in the realms of both contemporary and standard repertoire. She has performed leading roles with Vancouver Opera, Edmonton Opera, Calgary Opera, and Opera Kelowna in addition to her appearances on a variety of concert stages across Canada. Stephanie is thrilled to return to Vancouver Opera as Minskwoman in Flight.

Henry Chen
Immigration Officer

Henry started his journey with Vancouver Opera during the company’s revival tour of Naomi’s Road in 2012 and has been a regular performer in the company since. He’s performed across the Lower Mainland and Canada. Henry is very excited to be sharing the stage with so many talented artists on this poignant production.

Lyndon Ladeur, YAP
Bill Understudy

Lyndon Ladeur’s favourite performances include Fadinard in Il cappello di paglia di Firenze and Nemorino in L’elisir d’amore. Internationally, Lyndon debuted at the Gilbert and Sullivan Festival in the UK, playing Marco in The Gondoliers, winning Best Male Vocalist. Lyndon completed his Masters of Opera at the University of Toronto in 2024. He studies with famed soprano Wendy Nielsen.

Heidi Duncan, YAP
Tina understudy

Last season, Heidi made her Vancouver Opera debut as Frasquita in Bizet’s Carmen and covered the roles of Pamina (Die Zauberflöte) and Norina (Don Pasquale). Heidi is a graduate of the University of Toronto Opera School and recent alumni of the Brott Opera Young Artist Program. In Spring 2025, Heidi will return to the mainstage as Kate Pinkerton in VO’s production of Madama Butterfly.

Danlie Rae Acebuque, YAP
Steward Understudy

Baritone Danlie Rae Acebuque was the first recipient of the Alexandor Chorney Opera Scholarship at the University of Toronto in 2021. In 2022, he was the recipient of the Stuart Hamilton Memorial Award with Voicebox: Opera in Concert, and in 2023 he was one of the Encouragement Award recipients at the Metropolitan Opera Laffont Competition (Oregon District), and Audiences Choice at the MET (Western Canada District).

Simran Claire, YAP
Minskwoman Understudy

Last seen as Mercédès in Vancouver Opera’s Carmen, mezzo-soprano Simran Claire joins the company as a member of the Yulanda M. Faris Young Artist Program. She has performed with companies including Calgary Opera, Pacific Opera Victoria, and the Glimmerglass Festival. Alongside performance, she creates original work; her “utterly moving” narrative recital film Dadima was featured by CBC Music and Opera Canada.

Creative Team

Leslie Dala
Conductor

Conductor and pianist, Leslie Dala enjoys a multifaceted career spanning the genres of opera, symphonic music, choral and contemporary works. He recently conducted VO’s productions of Carmen and The Flying Dutchman; Bach’s St. John Passion and Beethoven’s Missa Solemnis with the Vancouver Bach Choir and Mozart’s Coronation Mass at Carnegie Hall.

Morris Panych
Director

Morris Panych is one of Canada's most prolific and celebrated playwrights and directors. His long list of original works has graced stages throughout Canada and around the world. Morris has directed over 100 independent productions including operas such as Susannah, Threepenny Opera, Macbeth, The Marriage of Figaro, The Barber of Seville and Flight.

Ken MacDonald
Set Designer

Ken MacDonald is an award-winning set designer based in Toronto. Recent designs: Leopoldstadt (Huntington Theatre); Frankenstein: Revived (Stratford Festival); The Overcoat: A Musical Tailoring (Vancouver Opera & Tapestry Opera); A Thousand Splendid Suns (ACT); Anything Goes (Arena Stage); Marriage of Figaro, Flight (POV). Recipient of numerous awards including 17 Jessie Richardson Awards.

Dana Osborne
Costume Designer

Dana Osborne is an award winning costume designer based in Stratford, Ontario, where she has designed over 25 productions for the Stratford Festival. Other companies include Pacific Opera Victoria, Art's Club, Citadel Theatre, Royal Manitoba Theatre Centre, The National Ballet, the Shaw Festival, Goodman Theatre in Chicago and the New York City Ballet.

Alan Brodie
Lighting Design

Alan Brodie has been designing lights for operas, plays, musicals and dance for 35 years. His first design for VO was La Traviata in 1999 and his most recent was La Cenerentola in 2019. He is most known for his multi-award-winning lighting for The Overcoat. In 2016 Alan completed a Master’s degree in directing at UVic and since 2021 he has worked as Manager of Theatre Operations at Arts Umbrella.

Nicholas Harrison
Fight Director

Nicholas Harrison was trained as an actor in London, England and the London Academy of Performing Arts, has a Masters in Directing from the University of Victoria and a PhD from the University of British Columbia. He has recently staged violence for the Belfry’s production of Beyond the Moon, as well as writing and directing a new adaptation of A Christmas Carol for Capilano University.

Lisa Goebel
Intimacy Director

Select credits: associate movement director and intimacy director for Choir Boy (Arts Club), intimacy director for Yaga (Touchstone Theatre), and intimacy director for Die Fledermaus (Vancouver Opera). She completed her Intimacy Certification through Intimacy Directors and Coordinators and is a graduate of Studio 58.

Kelly Lin
Assistant Conductor

Chinese-Canadian conductor Kelly Lin is an advocate for under-represented voices in music and the founder and Artistic Director of Lagom Music Society. Kelly is the recipient of the Hnatyshyn Foundation – Christa and Franz-Paul Decker Fellowship in Conducting. She obtained her master’s degree in orchestral conducting from the Schulich School of Music. Appears courtesy of Tapestry Opera’s Women in Musical Leadership Program.

Tayte Mitchell, YAP
Assistant Director & Intimacy Captain

Hailing from Vulcan, AB, stage director and tenor Tayte Mitchell most recently launched Ammolite Opera as its founding Artistic Director. He is an alumnus of the McPhee Artist Program with Calgary Opera, the Music Academy of the West, and the Wolf Trap Opera Studio. Tayte holds degrees from the Oberlin Conservatory of Music and the Cincinnati College Conservatory of Music.

Theresa Tsang
Stage Manager
Theresa Tsang

In her over 25 seasons with Vancouver Opera’s Stage Management Department, Theresa Tsang has worked on nearly 100 productions for VO. She also stage manages for Garsington Opera and Wexford Festival Opera, earning acclaim for The Turn of the Screw and Silent Night. A UBC graduate, she is lauded internationally and received recognition from the Stage Management Association in London.

Marijka Asbeek Brusse
Assistant Stage Manager

Marijka has enjoyed working on dozens of Vancouver Opera productions over the past 15 years, as well as at Pacific Opera Victoria, Touchstone Theatre, The Arts Club, Canadian Stage, The Belfry Theatre, and as a Faculty stage manager at the Banff Centre’s Opera program in 2019. Marijka has a BFA from UBC Theatre Production & Design, where she also taught stage management for seven seasons.

Michelle Harrison
Assistant Stage Manager
Michelle Harrison

Michelle has worked in stage management with Pacific Opera Victoria and Vancouver Opera on such operas as For a Look or a Touch, Orfeo ed Euridice, The Barber of Seville, Don Pasquale, Carmen and most recently as Stage Manager for Die Fledermaus. Recent theatre credits include Little Shop of Horrors (Arts Club/Citadel), The Sound of Music and Kinky Boots (Arts Club). She is a graduate of UBC.

Rachel E. Ross
Apprentice Stage Manager

Rachel E. Ross is a Vancouver-based stage manager and technician for theatre and opera. As a stage manager, they have worked with such companies as Vancouver Opera, Arts Club Theatre Company, Arts Umbrella, and re:Naissance Opera. They spend their summers at Bard on the Beach as the Assistant Head Electrician. Rachel is a graduate of Studio 58 and the Oberlin Conservatory.

Hina Nishioka
Assistant Lighting Designer

Hina is happy to be back on another project with Vancouver Opera. Originally from Japan, she is a theatre and live event lighting designer based in BC. With Vancouver Opera, she worked on The Magic Flute (Fall 2023) as an assistant lighting designer. She received Siminovitch Theatre Foundation’s Emerging Artist Grant (2024). Her works as a lighting designer can be seen at: https://hinalighting.com/

Tina Chang
Principal Répétiteur

Described as a “scintillating player,” pianist, and coach, Tina Chang is currently on the music staff at Vancouver Opera. She has been involved with Wexford Festival Opera in Ireland and soundSCAPE New Music Festival in Italy. Locally, she works with Chor Leoni and the Arts Club. She maintains her own private studio and has been on the adjunct faculty of both UBC and Dalhousie University.

Perri Lo
Répétiteur

Perri Lo is a pianist and vocal coach working in opera, chamber music, and dance. She has worked with companies across Canada and locally, including Vancouver Opera, Pacific Opera Victoria, City Opera Vancouver, Re:N Opera, and Opera Kelowna. Perri is a pianist for Ballet BC and Arts Umbrella Dance, and recently collaborated with dancers and singers on the Canadian premiere of Floating Island.

Derek Stanyer, YAP
Répétiteur

Dr. Stanyer has worked as a pianist/coach with UBC Opera since 2019, and as an Adjunct Professor in 2023. He has recently performed both opera and art song with the Vancouver Fringe Festival, Vancouver Opera, Opera Unbound, COC, York Place Concerts, and many others. His doctoral research (and passion!) relates to the art songs of Nikolai Medtner, which are a largely ignored part of the art song repertoire.

Sarah Pelzer
SURTITLES™ Editor + Operator

Sarah Jane Pelzer is a stage director and surtitlist based in Vancouver, BC. She has directed, assisted, and taught across Canada and the US at Vancouver, Edmonton, and Manitoba Opera, Opera on the Avalon, Opera Kelowna, Wolf Trap, and the New England Conservatory. Sarah is the co-founder of Lucky Penny Opera, a company dedicated to exploring alternative models for creating opera performances.

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Anonymous (22) Ms. Parviz Abdi Angela Accettura Barbara Adamo Mr. William Adehlph Alan Ahlgren Mr. &. Mrs. Ian and Catherine Aikenhead Hafeez Alibhai Mr. David J. Allen Rhianon Allen Mr. W. Graham Allen L Mark Anderson Katie Angermeyer Mr. Russ & Mrs. Lee Anthony* Suzanne Anton KC Mrs. Rita Araki Mr. Barry Auger Suzanne & Brad Bailuk Ms. J. Bain and B. Napier-Hemy Mrs. Kathleen Jane Baker Mr. Eric Ball Ms. Aline Banno Viviane Barber Mr. G. T. Barford Mr. James Barlow Mr. Trevor Barnes Ms. V. Barrett John & Sandra Barth Gillian L. Beattie Ms. Anne Beaulieu Roberta L. Beiser Ms. Patricia Bell Dr. Caroline Benedek Mr. Jeremy Berkman Ms. Laurie Bertram Katie Birdsall Mr. Harold Birston Jay Biskupski Mark Biznek Ms. Karly Black Mr. Sam Black Berna A. Blair Drs. Mairi & Peter Blair Ms. Ruth Blair Dr. Andriss Blokmanis Mr. Joost Blom Mr. Jason Bolam Heather Bolton Ms. Alessanrda Bordon Ms. Carol Brauner Mr. Ralph Markham Ms. Catherine Brown Ms. Jean Brown Julia & Lorne Brown Mrs. Karen Brumelle Richard Buchholz Mr. James Buck Valerie Budnyak Mr. Glenn Bullard Ms. Elaine Calder Mrs. Carolyn Cameron Ronald Cameron Sandra M. Campbell Sylvia and Bob Cannon Mrs. Mari Cantrell Lia Carter Ms. Christine Chandler Selena Change Ms. Susan Charlton Liz Chaston Jan Chavarie Marie Cheong Ms. Elaine Chernoff Ms. Jennifer K. Choi Alex Chow Ms. Katherine Ciechanowski Mrs. Hilary Clark Ms. Judith Clark Mrs. Shelley Colton Ms. Ruth Comisarow Ms. Catherine Conings Ms. Sheri Conner Ms. Deborah Cooper Tami J. Copland Glen Copping Mr. Ken Cormier Alain Coulombe Drs. Kenneth & Sidney Craig Mr. & Mrs. Andrew N. Creighton Nicola Crema Lee Cross Ms. Clare Crosthwait Mr. John R. Culter Ms. Mary C. Curran Ms. Patricia Currie Robert J. Currier Ann Naymie Ms. Pat Dairon Mr. Spencer W. Dane Walter Rilkoff Ms. Margery F. Davey Tony David Michael and Sandra Davies Dr. Karen Davison Dr. and Mrs. Keith G. Dawson Mr. John C. De Wit Fiona Ross Charles Demers Brendan Derby Winton Derby Craig Desharnais Mr. Tom Detlor Ms. Audrey Dewan Ms. Anne Dewar Dr. Harry P. Diaz Margo Dobbin Mr. Anthony Dodd Julie & Gerald Donegan Stuart Donn Janice M. Douglas Mr. David Dreyer Mrs. Elizabeth Dropko John & Helen Duffy In memory of Barb Brown Mr. Neil Dumont Richard Duncan Mrs. Jannette Dunlop Lindsay Dunn Richard Dunn Edward Dunnett Ms. Laureen Dwulit Lord Ross Early Drs. Allen and Connie Eaves Ross Egan Mr. Guido Elvet Ms. Susan Engelbert Angela Falbo Mr. Harold Fansler In Memory of Irwin Davis. Robert and Tina Fawcett Ms. Brenda Fedoruk Mr. Martin Ferera David Ferguson & Kenia Palacios Nan Legate and Eric Fiss Mr. & Mrs. David Fitzgerald Bryan Fitzpatrick Ms. Nancy Flexman Mr. Roger Flowerdew Maria Fonseca Duane Fontaine Mr. James Ford Michael Freeman Maurice Freer Mr. Christopher Friedrichs Gail & Bryan Atkins Fund Mr. Michael Galbraith Nancy Garrett Natalie Garth Dr.Tanya Gee Mr. Graham George Ms. Patsy George Mr. Ron Gibbs Ms. Jillyan Gift Diana Gingell Mr. & Mrs. Leon Glassman Irene Goldstone Elizabeth Gooding David Goodman Bruni and Anthony Goodson Mr. Gordon Harding Ms. Jessica Susan Gossen Mr. Peter Graf Jordan Graham Mr. Ian R. Green Ronda Green and Tim Padmore Mr. Michael Roy Gregory Mr. Paul Greisman Ms. Irene Griffiths Rick Griffiths Mr. Jason A. Grijzen Laura Groos & Gerry Prins Mr. Vitalius and Mrs. Elizabeth Gudaitis Ms. Natasha Gukova Pam and Dave Gurd Mr. John Hagan Silvia Hagen Doug Hager Mrs. Mary Hamm Gail Hammond Mrs. Shirley Hammond Vera Hanvelt Judit Haranghy Dr. Evelyn J. Harden in memory of Marcia Jasiulko & Dr. Edgar F.Harden Ms. Betty Harris Ms. Evelyn Harrison Mr. Rob Hart Ms. Carolyn Hateley Ms. Sandra Havard In Memory of Ronald Hawkes William Hay In Memory of Nik Radosevic Ms. Jessica Hiebert Mr. Ford Hill Iris Hill Robin Hill Mr. Aaron Hillier John N. Hilton Mr. Gordon Hinkson Ms. Brenda Hochachka Ms. Shelley Hockett Mr. & Mrs. Allan Hoegg Lore Hoffmann Mrs. Maureen Hollins John Hooge Dr. Bennett Horner Mr. ROBERT HOWELL Selina Huang Mr. Donald J Hudson Mr. & Mrs. Salvador Huerta Harry Hufty Gregg Hurst Heather Ireland Ms. and Mr. Joyce Jackson Mr. Christopher Jacques Mr. Devin Jain Fred James Ms. Karen James Ms. Norma E. Janzen Monica Jean Mr. Hua Jiang & Ms. Alina Liu Doug Johnson Linda M Johnston Richard Johnston Valerie Jones Dr. Susan Jung-Kemeny Josefina Jurock Ms. Angela Kaija Sherri Kajiwara Anna Kang Zainul Karim-Nathoo Arif Kassam Mr. John Kearns and Ms. Daphne Hampson Ms. Kathleen Keating Ms. Heather Kennedy Mr. Jayson Kennedy Steve Ketler Lillian Ketola Mr. Al Kilburn Mr. David T. Killin Norene Kimberley Ms. Joan E. Kirkwood Jeff and Linda Klaver Gabriele Klein Ms. Martina Klingner Margaret Knox Mr. Jacob Kojfman Jphn Koontz Dr. Jack Kooy Mrs. Thais Kornder John & Ann Kowalchuk Steve Krieger Ron Kruschen and Louise Akuzawa Mr. & Mrs. Hans Krutzen Gisela Kuhn Ms. Marianne Kurlak Ms. Dorothy Kuva Mr. Donald Kydd Dan G. Lahaie Mr. A. M. Laird Mr. Edmond Tit Lam Rock Lamont Julie Lapinsky Ms. Josephine Lau Ms. Jo Ann Lauber Mr. & Mrs. Trevor Lautens in Memory of J.S. Back Ms. Shannon Lavender George Laverock Margaret and Peter Lawrence Peter Lawrence Lynn Ledgerwood Ms. Evelyn Lee Mrs. Jenny Lee Dr. & Mrs. Richard and Susan Lee Ms. Wendy Lee Ms. Margaret E. Lees Mr. W Bill Leung Ms. Erica Levy Mr. & Mrs. Patrick Li Mr. Ron Liddle Wolfgang and Anne Lippert Ms. Joanna L. Lipsey Mr. & Mrs. James Littleford Ms. Joanne Livingston Dr. Laurie A Logan Israel Juarez Jennifer Lord Mr. George E. Lovick Walter Low Mrs. Doreen M'Lot Huiyuan Ma Susan Ma Dr. Alan & Mrs. Helen Maberley Alan Macdonald Dr. J W MacDonald Dr. & Mrs. John K MacFarlane Donna MacKenzie Ms. Wanda Madokoro Shyla Magbuo Ms. Margot Magee Mrs. Ketty Magil Dr. Jeff Roberts Miss R. Manthorpe Ramona Mar Emil Marek Ms. Donna Marlatte Meghan Martin Robyn Martin Maria Mascher Mr. Edward Mason Mr. Barry McBride Mr. Ian A C McCallum Ms. Annette McCunn Mrs. John C. McDermid Pauline McDonald Carol McGuinness John and Diane McKellar Ms. Stefanie F. Mclellan Mr. David W. McMurty Dr. & Mrs. T. Warner Mr. & Mrs. David F. Measday Trina Medeiros Livia Meret Ms. Louise Merler John Merzetti Michelle Mezei Mrs. Eliska Milacek Bill Millerd Mr. Gerald Millet Ms. Kelly Millin Minovitz Family Foundation Dr. Barbara Moon David G. Mordant Vera Morgan Gilbert Moses Mrs. Marie Mrowietz Stephanie I. Muendel Mr. Carl Mulder Mr. Thomas P. Mullan Sebastian Munro Mr. & Mrs. D. Murray Ksenia Mutagirova Ms. Rachelle Nadeau Tsuneo Nakano Dr. Badrinath Narayan Ms. Paula Naylor Ms. Elize Nel Stephanie Nelson Ms. Henrietta Nemeckova Mrs. Rosemary Nemetz Dr. Nordica Nettleton Bryan Newson Carol Newson Mr. Murray Nichol Jennifer Nicholls Ms. Zlata Nikic Nina Nixon Ms. Marcia Nodwell Ms. Anni Norgaard Ms. Kerry Norman Mrs. Jean & Mr. William Norquist Mr. Wade Nott Ms. Gretchen O'Brien Ms. Elizabeth Odynsky Sue M. Okuda Mr. Bernard Olfman Ms. Emilia Olson Marti Oppenheimer Mrs. Pamela Ottridge Valerie Overgaard Gerry & Maureen Oyen Mr. David Parkes Judith L. Parkes Victoria Parr Catherine Paterson Mr. Dhruva Pathak Ms. Sheila M. Paton Matthew Patzer Ms. Audrey Pearce John Pel Howard Pendleton Mrs. Meg Penner Mr. David Perrin Jaime A. Peschiera David Phillips Stephanie Pietralla Mary Pilatzke Ms. Helen Pinsky Ms. Silva Plut Mrs. Janet and Mr. Clifton Prowse Mr. John Puddifoot Ms. Jane Purdie Ms. Marion Quinlan Laila Radage David Raderecht The Rascal Foundation Mr. Don G. Reader Doug Reddy Ms. Eleanor Reemeyer Aubrey Reeves Blaize & Allan Reich Roseta Rennka Constance Ricci Mrs. Oksana and Dr. William Richards Ms. Sharon L. Riches Wayne Richmond Mr. Berndt Rindt Donald & Heather Risk Ursula & Tom Robertson Ms. Wendy Robertson Mr. William Robertson Ms. Ann Robson Vi Roden Alice Roemer Ms. Elsbeth Rogers Marie Rogers Mr. Anthony Roper Ann M. Rose Horst Rosenke In Memory of my Father, Enzo Rossetti Ms. Shirley Rudolph Lucy Ruthven Mr. Carl Sager Dinesh Samarasekera Jan Sampson Kevin Sanders Sonja Sanguinetti Howard Saunders L.S. Sawatsky Ms. Margaret Schabas Ms. Rosemarie Schipizky Dolph Schluter Mr. Ron Schubank Peter Scoates Manrico and Liz Scremin Ms. Darlene Scribilo Melanie Shek Dr. Sam & Mrs. Jo Ann Sheps Steveston's Arts Connection Ltd Thomas G. Shorthouse Ms. Althea I. Sibbald Keith and Julia Siddall Ms. Satinder Sidhu Ms. Emily Simcox Ms. Gail Simpson Mr. David Sims Munie Singh Stan Siscoe Dr. Kathryn Skau Glen Skidmore Mr. David A. Sloan Shaaron Small Ms. Doris Smit Margaret L Smith Mr. Peter Smith Mr. Rick A. Smith Mrs. Tia Smith Mrs. Eleanor and Mr. John Smyth Annikka Snow Ms. Mary Sparacio Tim Speakman John Spinks Ms. Mary Sproul Ms. Frances Sprout William H. Squibb Ms. Jane Srivastava Georgeta Staicu Ronald David Stephens Beverly Stevens Ms. Kristina Stevens Michael Stevenson and Jan Whitford Mrs. Elvina Stewart Mr. Lindsay Stewart Dr. John Stockton Mrs. Moya Stokes Andree Stow Mr. Charles Stratford Dr. Peter Suedfeld & Dr. Phyllis J. Johnson Mrs. Kumi Sutcliffe Robert Swansborough and Alex Shirazian Ms. Lois Swanson Ms. Margaret Swift TATSIANA TARASEVICH Robert Taylor Ms. Ruth Lea Taylor Ms. Diana Tchakalian Sarah Temple Angela Thermann Ms. Lesley Thomas Cameron G. Thompson Ms. Maureen Thomson Mr. Garth Thurber Mr. Tom Tielens Haizley Trevor-Smith Ms. Judith M. Troesch Marlene Trussell Nora Tseng Dr. Carol Tsuyuki & Mr. Craig Tomlinson Ms. Catherine Van Alstine Petra Vanderley Ms. Sheila Veuger Kay M. Vinall and Timothy C. Holmes Miss Jean Vogrig Ms. Olga Volkoff Mrs. Joan Wagner Peter and Johanna Walcott Mr. Denis Walker Richard Wasylynchuk Ms. Judy Wearmouth Allison Webb Martin Weirich Norma Wells Klaus Wensauer Mrs. Gwyneth Westwick Mr. Vincent Wheeler and Mr. Peter Cheng Mr. Geoffrey Whitehead Whitford & Stevenson Family Fund Mr. Ron Whittaker Ms. Donna Wiess Delphine Wilcox Ms. Cheryl Williams Edward Hector Williams In Memory of Joe Williams Janice Williams Joan Williams Ms. Lois Williams Michael Williams Robert Laing & Edward Wilson Dr. David Wilson Don G. Wilson Ms. Tessa Wilson Mr. Olaf Wirsching Sohyeun Won Mr. William P. Woodfine Lois and Peter Woolley Michael A. Woolnough Don & Eileen Wright Ms. Elizabeth Yip Mr. & Mrs. K. J. Yule Mr. Gordon Yusko Mr. Charles Zaragoza Heidi Zetzsche

BC Arts Council British Columbia Canada Council for the Arts City of Vancouver Department of Canadian Heritage Ministry of Tourism, Arts and Culture Vancouver Civic Theatres

Amica BMO Financial Group CIBC Wood Gundy Edge Catering IG Wealth Management Francl Architecture TD Bank Telus Friendly Future Foundation Osler Vancouver Opera Guild YVR

Alan and Gwendoline Pyatt Foundation Andrew Mahon Foundation Ann Claire Angus Fund, held at Vancouver Foundation The Arthur Toft Foundation Chris Spencer Foundation The David Spencer Endowment Encouragement Fund Dennis & Phyllis Washington Foundation Diamond Foundation Frank and Joan Lew Charitable Trust George W. Norgan Fund, held at Vancouver Foundation Gift Funds Canada The Hannah Woodnutt Smith Memorial Fund, held at Vancouver Foundation Joan C McCarter Foundation, held at Victoria Foundation Lagniappe Foundation Lightburn Family Fund, held at Vancouver Foundation Martha Lou Henley Charitable Foundation McGrane-Pearson Endowment Fund, held at the Vancouver Foundation Mirhady Family Fund, held at Vancouver Foundation Remembering Otto and Marie Pick Charitable Foundation Vancouver Opera Association Endowment Fund Vancouver Foundation Vancouver Opera Foundation

Season Sponsors BMO Alan and Gwendoline Pyatt Foundation Michael and Inna O'Brian Family Foundation Season Patrons Martha Lou Henley, C.M.* Yoshiko Karasawa Flight Production Sponsor YVR Flight Performance Sponsors Francl Architecture Exclusive Hospitality Sponsor Edge Catering Multilingual Communications Sponsor IG Wealth Management Media Sponsors Global BC CKNW Stir

Orchestra and Production

FLUTE Brenda Fedoruk, Principal Anne-Elise Keefer PICCOLO Anne-Elise Keefer Brenda Fedoruk, Principal OBOE Emma Ringrose, Principal Erin Marks ENGLISH HORN Erin Marks CLARINET Christopher Lee, Principal AK Coope BASS CLARINET AK Coope BASSOON Ingrid Chiang, Principal Allan Thorpe CONTRABASSOON Allan Thorpe HORN Laurel Spencer, Principal Nick Anderson TRUMPET Katherine Evans, Principal Candice Newberry TROMBONE Jeremy Berkman, Principal Jim Tranquilla TUBA Drew Dumas, Principal HARP Janelle Nadeau, Principal TIMPANI Phillip Crewe, Principal PERCUSSION Julia Chien, Principal Martin Fisk Lauri Lyster CELESTE/PIANO Tina Chang, Principal VIOLIN I Mark Ferris, Concertmaster Angela Cavadas, Associate Concertmaster Domagoj Ivanovic Hyunjung Julia Lim Lawrie Hill Petro Krysa Rick Dorfer Ji In Kim Ellen Farrugia Evelyn Creaser-Rumley Christine Lin VIOLIN II Rebecca Ruthven, Principal 2nd Andrea Siradze, Assistant Principal Adrianne Stride Heilwig von Koenigsloew Toni Stanick Sarah Westwick Sandra Fiddes Parmela Attariwala VIOLA Tawnya Popoff, Principal Isabelle Roland, Assistant Principal Reginald Quiring Roxi Dykstra Marie-Claude Brunet Mila Tymoshenko CELLO Rebecca Wenham, Principal Ashton Lim, Assistant Principal Harold Birston Sue Round Jake Klinkenborg BASS Maggie Hasspacher, Principal Michael Vaughan, Assistant Principal Meaghan Williams Remi Yueming Xia Orchestra Manager Nick Anderson Orchestra Stage Manager Jim Tranquilla Orchestra Librarian Meaghan Williams

Director of Artistic & Production Nicole Lamb  Company Manager  Kewen Huang  Technical Director  Jon Mottram  Production Assistant  Jimena Pacheco  Head of Wardrobe  Roberta Doylend  Head of Properties  Stephen Field Elgar  Assistant Properties  Jesse Orr  Welder  Philip Piper  Production Make-Up  Michael Croteau  Production Hair & Wigs  Donnie Tejani  Cutter Victoria Klippenstein   Production Carpenter  Dale Baratelli  Production Electrician  Anna-Lena Steiner  Production Video  Leon Cox  THANK YOUS  IATSE 118  Pacific Opera Victoria  Vancouver Civic Theatres  Show Crew  Saghar Bazargan Vince Folgizan  Richard Gould Joel Johnson Andie Mei Fong Ho   Mike Phelan David Raun Carolyn Reemeyer    Lili Yuen Scott Ellis Luke Nesbitt Dave Page Vaughn Pease

Board and Staff

Chair Krista Johanson Vice Chair Stanis Smith Treasurer Roger Flowerdew Secretary Andrea Wood Past Chair Susan Van der Flier Jennifer Choi Shaun Dolman Gagan Grewal Joshua Hutchinson Sameer Jamal Kevin Kelly Kirk LaPointe Pierre Lebel Ivor Luk Emily MacKinnon Jennifer Muench Richard Rees Chloe Sauder Isabelle Spothelfer Carol Tsuyuki Wilson Williams President, Vancouver Opera Guild Jennifer Coté

Chair Richard Rees Treasurer and Secretary Jim MacCallum Past Chair Paul McEwen Jill Bodkin Jake Boxer Neil Carnell Geoff Dodds Roger Flowerdew Yuri Fulmer Emily MacKinnon Kevin Mah Nevada Mohammed Jennifer Muench Susan Van der Flier

General Director Tom Wright Music Director Jacques Lacombe Music Director Emeritus Jonathan Darlington Director of Marketing Jonathan Harrison Director of Development Kayleigh Harrison (On Leave) Director of Artistic & Production Nicole Lamb Director of Finance and Administration William Murgatroyd Director of Engagement and Civic Practice Ashley Daniel Foot ARTISTIC PLANNING Company Manager Kewen Huang Head of Music Leslie Dala Coach/Répétiteur Tina Chang Preparatory Librarian Connie Goetz PRODUCTION Technical Director Jon Mottram Production Assistant Jimena Pacheco Head of Properties Stephen Field Elgar Head of Wardrobe Roberta Doylend DEVELOPMENT Interim Director of Development Bella Best Senior Manager, Grants & Sponsorships Kseniia Gorlevaia Senior Manager, Individual Giving Rebecca Paterson Administration Assistant Rilee German-Martinez FINANCE AND ADMINISTRATION Accounting and Payroll Manager Sonny Sohn Office Services Manager Jennifer Pipe Facilities Manager Mack McGillivray MARKETING Creative Director Annie Mack Senior Marketing Manager Keltie Laidlaw Database and Ticket Centre Manager Tracey Flattes Ticket Centre Associate Charlene Hibbard Social Media Specialist Lucas Bertoli Senior Communications Advisor Stephen Lyons Publicist Cynnamon Schreinert Program Ad Sales Jennifer Lee Graphic Designer Yvonne Olivotto ENGAGEMENT AND CIVIC PRACTICE Senior Teaching Arts/Summer Camp Leader Eve-Lyn de la Haye Teaching Artists Holly Collis-Handford Zainen Suzuki Engagement Strategist Tabitha Brasso-Ernst Engagement/Musicology Curator Nicholas Burns Coordination Vincent Huynh Writing/Research Jane Potter Multimedia Producer Mack McGillivray YULANDA M. FARIS YOUNG ARTISTS PROGRAM Program Director Leslie Dala Coach Tina Chang Heidi Duncan, Soprano Simran Claire, Mezzo-Soprano Lyndon Ladeur, Tenor Danlie Rae Acebuque, Baritone Derek Stanyer, Pianist Tayte Mitchell, Stage Director